Archives for posts with tag: conservatories

Last Saturday, Rachel and I made an early spring visit to Stonecrop Gardens (see March 22, 2014). The Open House being celebrated that day focused on their indoor collection, which is extensive, if not encyclopedic; much more than can be described in the average 500-word blog post. In fact, at the end of the last account, having finished our snack (cookies and cocoa) we realized that we were only about halfway through the list of plants on display.

What remained to view (not counting the outdoor areas still covered by snow and ice) were the Alpine House, the End House and the Pit House. Of these, my favorite is the Pit House, and not just for the flowering bulbs and succulents that inhabit it. Architecturally, it is unlike any other greenhouse I have seen.

A long, narrow building, its floor is set into the ground by about two feet; stone steps at each end lead down to its central aisle. The tops of the planting beds along either side are at grade level so all of the soil is essentially subterranean. The gabled glass roof springs from short masonry walls that extend about two feet above grade.

The peak of the roof—this is my favorite detail—is supported by two parallel lines of steel wide flange beams that are aligned with the fronts of the planters, thereby maximizing headroom over the aisle. Structurally, the Pit House is quite elegant (and that’s the nicest thing that I, as a structural engineer, can say about it).

Despite its partial embedment in the earth and glazed roof, the Pit House is not particularly warm inside. Nonetheless, it is cozy, mainly due to its diminutive scale. It feels not unlike a child’s playhouse although clearly, serious work is going on in there.

The beds are literally overflowing with a densely-planted collection of ranunculus, fritillaria, narcissus, primula, cyclamen and helleborus, to name just a few. Although only about a third of the area of the Conservatory, the Pit House contains two-thirds the number of different plants.

We strolled leisurely from one end to the other, enjoying the colorful blossoms that sprang from the garden beds at waist level or trailed along the steel beams over our heads. We left with an infusion of spring spirit and a renewed enthusiasm to get to work in our own garden.

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I have found that it is too easy to take for granted things that are right under my nose, even things I really like.

That’s the case with Stonecrop Gardens, the public garden and school of practical horticulture located only a few miles from our house. We first visited in 2012 (see March 30, 2012) and, after becoming members, returned twice that year to view the grounds at different stages of growth (see June 2, 2012 and September 16, 2012, part 2).

We were off to a good start towards a goal of touring the extensive gardens (which cover 63 acres) in each of the four seasons (as a minimum). But for a variety of reasons, or maybe no good reason at all, we only managed to get there once last year (see July 27, 2013). We made the most of it, though, and thoroughly enjoyed the eye-popping array of flowers (lilies, most notably) that were in bloom at the peak of summer (I took many photographs). Still, we hadn’t been there since.

Now, granted Stonecrop is closed from November until April (except for special events) and that is one reason why I tend to forget about it. Out of sight, out of mind. But that is also why I was delighted to receive a postcard from them inviting us to today’s Spring Open House. The event is subtitled “Garden Walk Under Glass” because at this time of year, all of the action is going on indoors.

The walk starts in the Conservatory, a glass house built in an English country architectural style. The tower and wings, laid out in a cross arrangement (from above, it looks like a church, a temple to formal gardening), are literally crammed to the rafters with more than 250 potted plants that originate from all around the world, mostly from places with hot to moderate climates.

Each specimen is tagged with a number that corresponds to a printed list. The information—plant name, family classification and country of origin—is interesting (so that’s what a bowiea volubilis looks like!) and useful (can we get camellia japonica at the garden center?). It is also overwhelming, a lot to absorb all at once.

We moved from there to the potting shed (cum office) and passed through it to the Tropical House. In a vestibule to this traditional greenhouse, work was in progress to propagate cuttings from established plants (to supplement the onsite garden beds, I suppose, and to sell). Much of it looked familiar to me—short lengths of stems stuck into growth medium—but I was intrigued by the leaf propagation, a method I had never seen before.

As we exited the Tropical House, we were distracted by the warm cider, hot chocolate and assorted cookies (almost as varied as the plants) on offer in the barn. The day was warm and bright so after making our selections, we parked ourselves on a bench to bask in the sun and nibble our treats.